Opera Unica featuring Milano Genius 2019: introducing Filippo Cristini

Milano Genius 2019 represents the ultimate emblem of artistic expressions in every field, from design and theater to contemporary art. Thanks to the support of the Italian Institute of Culture in Osaka and the coordination of Asian Studies Group, a series of selected Italian artists will be presented during several cultural events in the city of Osaka.

As indicated in the programme of the project, the month of February will be dedicated to contemporary art, thanks to Opera Unica featuring Milano Genius 2019, the event that will take place from February 22nd to March 7th at Spazio Arte and during which the Italian Institute of Culture in Osaka presents the artworks of Filippo Cristini, young Italian artist who joined the Switch on Your Creativity hub (4th edition).

Filippo Cristini is a talented artist who lives and works in Milan. Graduated in Philosophy in 2014 at the University of Pavia, he currently attends a master degree at Brera Academy of Fine Arts. The opportunity given him by Opera Unica  surely represents an important chance in his career to gain international visibility and reach a wider audience.

He expresses his satisfaction with regard to the project and is also willing to briefly present the artwork that he is going to present in Osaka, named “The Sheltering Sky”.

The Sheltering Sky (100 x 120) by Filippo Cristini

Regarding the artwork, he explains that “The Sheltering Sky’ is one of my last series of artworks dedicated to the landscape and, after more than a year since its creation I now realize, clearer than then, how this work represents a synthesis of the themes I was interested in at that time. The research regards a series of opposite couples: open/closed, nature/artifice, project/spontaneity, air/land and the title offers an important and not univocal instrument, an interpretative key for the artwork. This “sheltering sky” evokes, more in English than in Italian, the two fundamental elements that the artworks consist of: an aerial prospective of anonymous landscapes and  plants from anti – aerial refuges in Milan in the 1940s”.     

Huge influence for his artistic creation is the Milanese context, where Filippo Cristini lives and works. As a result, he has been specially chosen for Milano Genius 2019 due to his strong artistic bond with the Italian city. His ability to reinterpret in a subjective and introspective way traditional symbols and landscapes of Milan is what contributes to conceive his artistic production as a representation of his ego and as a concrete sign of how space is able to inspire artists in their representations.

“Pietra Nebbia Acciaio” (1024 x 1008) by Filippo Cristini

Examining the artwork in further detail, the author describes his artwork as “a distorted vision, on one hand the vision from above and on the other hand a sort of careful analysis of the ground”.  He then adds “I like to think about “The Sheltering Sky” as a series of ripped frescos in which the historic and the pictorial dimensions overlap in various meaningful layers.  The white sign that represents the map of the refuges I wanted to interrupt the naturalistic vision of the landscape and, at the same time, distance from the traditional representation of urban spaces, almost considering the planimetry as the nearest element to represent instead of the space intended as a concept”.

When asked about the influence of the city on his artworks he claims that “In Italy, the Milanese context is undoubtedly very lively if not the liveliest from the artistic point of view” and such a stimulating environment contributes to his artistic flair “Spending time with friends and other artists during exhibitions and opening ceremonies is always an occasion of incentive and exchange in terms of new working and artistic directions”.

“Il sogno assiromilanese” (1024 x 960), 2017 by Filippo Cristini

The artist also underlines a central belief according to which “The globalization and the influence of Internet have had a huge impact on our way of conceiving images. The artistic practice cannot remain indifferent to this fact, and fortunately it has not happened”.

Despite this fact, Filippo Cristini is convinced that “the artistic enjoyment offered in person still has its sense”, even more so in a society where “ we have immediate access to everything and in every part of the world”.

The bliss and feeling that the artistic practice is able to provide to its audience seems therefore invaluable, and that is exactly what Opera Unica and Milano Genius aim to protect and celebrate.

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