Nights Called Milan is not done yet. A new Duo is born in Milan.

By Kevin Carrara

Nights Called Milan is not only in Osaka. After the success received by the initiative in Japan, it arrives in Milan thanks to Asian Studies Group in collaboration with its artistic and theatre residence: Corte dei Miracoli. This event is one of the many occurrences realized by Milano Genius 2019 in order to enhance the relations between the two twinned cities. Milano Genius 2019 is patronized by the Municipality of Milan and produced by the Italian Cultural Institute in Osaka in collaboration with ASG-Produzioni, branch of Asian Studies Group.

Nights Called Milan will carry on its journey on the 30th of May in Milan at Corte dei Miracoli, a space not new to events of such importance and that is perfectly suited for hosting them. The experience is an opportunity for everyone involved to achieve visibility, especially for the artists Michele Gorlero and Alberto Mancini that will perform the repertoire of the most famous Milanese’s songwriters: Vecchioni, Jannacci and Gaber.

The duo has proven in Osaka how its two members work in complete harmony and respect for each other. The Japanese guests of the Swissôtel Nankai in Osaka were completely charmed by the collaboration of the two artists. They were able to easily surpass and overthrow the linguistic barrier, an achievement that only few can say to have accomplished during their career. We previously asked Michele Gorlero his thoughts regarding the Nights Called Milan’s event in Osaka. The interview can be found at the following link: Interview with Michele Gorlero.

ASG-Records, branch of Asian Studies Group, wishes to set the basis for their future success. Nights Called Milan at Corte dei Miracoli will be the perfect occasion to promote the new duo. An evening entirely focused on Milan in which Milanese artists will portrait their personal view of the beautiful city that is Milan. Soon everyone will be able to listen Michele Gorlero’s voice and Alberto Mancini’s piano from their home, since ASG-Records will record them on Spotify.

Annunci

Genius is back to Milan from Osaka. Mistero Buffo with Elisa Pistis for Urban Theatre

By Kevin Carrara

On 5th of May at 9 pm Elisa Pistis will bring at Corte dei Miracoli in Milan her re-interpretation of Dario Fo’s play Mistero Buffo. The performance is offered by Paolo Cacciato, director of ASG-Produzioni. Milano Genius 2019 is produced and organized by the Italian Institute of Culture in Osaka thanks to a collaboration with ASG-produzioni. Furthermore, the initiative is patronized by both the Municipalities of Milan and Osaka. In order to present to our readers the point of view of Mistero Buffo’s director, we interviewed Elisa Pistis.

What is Elisa Pistis’ Mistero Buffo and how does it relate to Dario Fo’s play?

My Mistero Buffo is of course no copy of Dario Fo’s work, rather it develops from a very simple starting point: a woman who alone stages Mistero Buffo. My re-worked version starts therefore from a feminine sensibility, that doesn’t exclude the master’s point of view, but which necessarily has a different expressive outcome.

I keep Dario Fo’s vision as a starting point when I begin to approach his texts. However, my goal is to re-elaborate the material at my best in order to perform it according to the needs of our times, which are completely different from the ones when the play was written.

How the Japanese public reacted to the show?

Japanese viewers were very focused and intrigued by the play. The public was large, very silent and respectful. One of the strengths of Mistero Buffo is its physical and gestural language, that allows the comprehension of the play even for people coming from a cultural background very different from the Italian. The work of instant translation made by the interpreter has permitted to everyone in the public to dunk themselves into the world of Mistero Buffo and enjoy it at its fullest.

What is the major insight you gained with this experience in Japan?

Surely, this experience in Japan developed my desire to expand my theatre work to all over the world. It was an opportunity of both artistic and human growth. I could see numerous performances and learn the expressive modalities of this thousand-year old nation. I was fascinated by one of Team Kabuki’s play, five hours of pure show with an active participation from the public. I was intrigued by the fact that at the end of the performance, after the drop of the curtain, the actors didn’t come out to take the well-deserved applause. The exchanges during the play between them and us, the viewers, were enough. Unlike in Italy, it is not common to thank the public and bow while waiting for the applause. So the five hours flew like in a moment and at the end of the show the exchange of emotions and regards was not needed. I dunk myself into the Japanese culture visiting less touristic places and trying to grasp some aspects of the local way of life. During my visit, I realized that few days aren’t enough to fully understand a population and its history. Instead, one should live there in order to do so. Since my work is focused on words, it was beautiful to listen their language. I took home the memory of many acoustics typical of Japanese alongside their way of greetings and playing music.

What should we expect on 5th of May in Corte dei Miracoli?

I hope to find a moment of sharing, since Mistero Buffo is a performance focused on the direct relation with the public. I like the idea to talk straight to each person attending my plays. I believe that a space like Corte dei Miracoli will be perfect in order to create the atmosphere that I seek. I hope to make people laugh lots and maybe make them shed some tears, too. I wish to transmit a part of myself in the play and leave an emotional message with the intent of making the public think while enjoying a beautiful evening together. For me it is very important that performances become a way to get in touch with people.

Jacopo Fo: Mistero Buffo in Osaka, discovering Italian culture and history through Commedia dell’Arte.

1528887698-incontro-jacopo-fo

When we decided to describe italian Genius considering Milan as general frame for selection of various representations, from arts to music, including design and theatre we couldn’t ignore the role of Dario Fo for those aspects that concern Italian theatre and literature and his tribute for revival of Commedia dell’Arte into contemporary performing scenario.

We absolutely wanted to explain to japanese people how, thinking about Italy, they cannot ignore the heritage represented by Fo’s activity, in particular about one of his most important works, Mister Buffo, that was performed for the first time 50 years ago at Milan University.

The occasion has been represented by Milano Genius in Osaka (12 of April 2019) at Osaka Central Public Hall thanking the production by Italian Institute of Culture under direction by Dr. Stefano Fossati who accepted to present first ever in Osaka, Fo’s masterpiece performed by Fronda Anomala, with official distribution by ASGProductions.

With great pleasure of organisers, Jacopo Fo, Dario Fo and Franca Rame’s son, decided to send greeting’s video, focusing in particular on commitment of Elisa Pistis, for this performance in Japan member of Fronda Anomala, who is currently working hard on special version of well known Mistero Buffo.

Fo_4

Elisa is wholly involved on important new re-adjustment of Fo’s masterwork that will be followed for future performing opportunities in Asia by ASGproductions (managing direction by Paolo Cacciato) that will also present solo version by Pistis of the work on 5th of May in Milan at Corte dei Miracoli (Via Mortara 4) always as part of Milano Genius programme and special tribute to Dario Fo.

pistis solo

You can enjoy Jacopo Fo’s video contribution as follows.

The making of Milano Genius logo and direct call with its creator

Milano Genius 2019 is finally ready to present its official logo and to reveal the creative process behind its creation through the words of Arianna Galuppo, designer of the logo.

As an important cultural project, Milano Genius wants not only to enhance and reinforce the artistic cooperation between Italy and Japan, but also to create opportunities and international visibility for many young artists involved in the artistic development of the event.

This is surely the case of young and talented Italian designer Arianna Galuppo, graduated with honour in Design at Libera Academy of Fine Arts and specially chosen for the creation of the official logo for Milano Genius, who now presents her work by explaining what led her to its creation.

When asked about the reasons for her participation to the project, Arianna claims that “Milan and Osaka are united by what would seem to differentiate them the most: the world of art, design and music. This is what, initially, intrigued me most about the possibility to participate, as creator of the logo, to the project.

The collaboration with Milano Genius surely represents a great opportunity for her to  “to get involved in a real work project to practice what I have studied at university. I am honoured to contribute with my logo to this collaboration, which will certainly be positive and valuable for both the cities and for anyone who will take part in it.”

As a result, Milano Genius 2019 and Switch On Your Creativity 6th Edition, the creative accelerator of which it is part, encourage  youthful creativity by involving young designers, like Arianna, to develop cultural projects and to give them the experience necessary to enter into the world of work.

Talking about the concrete inspiration for the design of the logo, she explains that “The project has three main characteristics on which I had to focus my attention while developing the logo. The first is the ambition of Milan Genius 2019 to act as an international representative of contemporary art and culture that makes Italy great all over the world and recognizes it as a driving force of creativity. The second is the need to enhance, in particular, the metropolitan city of Milan as a privileged symbol of design, art, and of course Italian music. Finally, the need to highlight the modernity and dynamism that the project needs to test itself in a foreign cultural environment.”   

In the creation of the logo Arianna felt necessary to include traditional elements of our identity such as the Italian flag and the Milan Cathedral, as “symbols that brings together people and nations in a united cultural community”.  

As for the general style adopted for the logo, she concludes by explaining that “ to express the effort of Milano Genius 2019 to project itself in a modern and dynamic way in cultural contemporaneity of various and numerous foreign environments, I thought to use a minimalist and essential style in order to make the logo adaptable to all the cultural environments in which it will be presented.”

The logo is therefore not only the official symbol of Milano Genius, but also a tangible reminder of what the project stands for: cultural exchange beyond geographic barriers and the celebration of cultural expressions of any kind.